5 min read

Seasons of Glass and Iron Release Day!

Cover of SEASONS OF GLASS AND IRON, my new short story collection. Against a pastoral background beneath the title, a space-distorting rhomboid shows a rabbit chasing a wolf.

Dear Friends,

It's here! Today's the day! Seasons of Glass and Iron is available wherever you get your books!

A photo of a hardcover copy of Seasons of Glass and Iron on a grainy wooden surface next to my left hand, palm up with fingers angled inwards in a claw shape to show off a set of freshly lacquered nails from J Hannah in colours that match the cover's palette: light green, dark muddy brown and a dark purplish grey.
Many thanks to Jen Coster for the matching nail set!

In the normal order of things I should be where my book is – in a shop signing stock, or on tour meeting readers, or in my home, posing with it. But instead I'm quite literally at sea, writing this from Loreto while on the JoCo Cruise where I'm thrilled and honoured to be a guest. I'm having an absolutely lovely time so far: in addition to doing a reading and playing D&D on stage with performers who utterly dazzle me, I've watched humpback whales breaching, seen a Magnificent Frigatebird in flight, met many wonderful people and stayed up til 2AM talking with them.

In a deep blue field of sky, a magnificent frigate bird flies out of the left side of the photo, a stark angled silhouette of sharp, vertically stacked wings, pointed beak, and scissor tail, with a flash of white between head and throat.

Here, though, is an unboxing video from when I first got my author copies!

I went through the mortifying ordeal of being known by video to show off finished copies of SEASONS OF GLASS AND IRON! Pre-order it wherever you get your books! Here are some places you can do that, though I’ll always recommend your local indie first. torpublishinggroup.com/seasons-of-g...

Amal El-Mohtar (@amalelmohtar.com) 2026-02-27T15:23:26.424Z

Should you wish to support Seasons of Glass and Iron as it blooms into the world, you can do any of the following:

  • Buy the book wherever you get your books, in whatever format (hardcover, audio, ebook!) suits your fancy! I will always suggest supporting your local indie where possible, since they're force multipliers for community organizing and resource-pooling in addition to frequently being wonderful third spaces. Also if you're in the UK, Waterstones has a special signed edition!
  • Request it into your local library!
  • If you’re enjoying the book, or even if you're just looking forward to reading it eventually – talk about it! To your friends, in person and on social medial, review it on your favourite book review website – or just let me know! We authors thrive on the knowledge that we’ve given you something, joy or tears or that incandescent mix of the two. Probably the single nicest non-monied thing you can do for an author is share the enthusiasm you genuinely feel for their work.

You can also find me on tour!

US Tour Stops

Immediately post cruise I'll be in the following places:

UK Tour Stops

Then I'll be home for about 48 hours before heading out to the UK for a few more events!

Canada Tour Stops

After that I'll be home... Sort of?? For a bit? There are prospective book events in Montreal and Toronto that are still being nailed down, but I'm really looking forward to my hometown launch:

April 20, Ottawa: Hosted by Perfect Books, where I used to work, and The Other Hill, at Allsaints!

All of these events are ticketed or require reserving a spot in some way, so bear that in mind if making plans!


I'm feeling so tenderly towards the release of this book. It keeps provoking unexpected emotion. When it was first coming together, I found myself wavering a little about the project itself: if I wasn't writing new material for it, what was it? A body of work, certainly – but was there enough there over a fifteen year span to justify collection? Would anyone want to read my older stories? (A peculiar paradox: our oldest work is also our youngest, and our most recent work is our most mature.)

Instead what I'm finding is that these stories are new to most people; that readers who came to my work post This Is How You Lose the Time War and The River Has Roots don't necessarily know anything about the world of Livejournal and pre-pandemic magazines and SFF conventions that formed the contexts and catalysts for conversations that sparked stories, and to those readers – especially the ones who are the age now that I was when I started writing – this is just new work from an author they like.

There's something so marvellous to me about that – about the notion that something I wrote 15 years ago can meet someone where they live now, that it can feel urgent or interesting or insightful. In so many ways this is just the grace of writing and art generally – that we speak without knowing to whom, that we read across decades or centuries work that tells us something about ourselves in defiance of space and time.

Anyway, I'm so grateful that these stories are out in the world together, holding hands, and I hope you enjoy them if they find their way into yours.

Love,

Amal

Selfie in which I'm smiling close-mouthed while standing in front of a sunny beach in Los Angeles, wearing a ribbed cerulean blue top, a shimmery paisley cardigan, silver pendant necklace, sunglasses, and a blue baseball cap that says Reliable Narrator on it.

Postscripts of News

  • The paperback of The River Has Roots is also out today!
  • Did I mention that I've been secretly working on an Actual Play D&D podcast with some exceptionally cool people? No? Probably because it's been secret. But if you're curious you should sign up to be notified about launch and news and stuff! It's called The Library At World's End and in my quite biased but extremely correct opinion it's going to be amazing.
  • I was deeply honoured to be invited to contribute to Green Women, a gorgeous anthology edited by Terri Windling that pairs Brian Froud's beautiful Green Women portraits with women writers' responses to them. The list of contributors is staggering, and it comes out October 6.
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